Authorguy's Blog

Posts Tagged ‘query letters

One of the things agents and editors look for in a query letter is a comp title (I think I talked about this before, but if I haven’t, it isn’t too hard to find many blogs that have). This is supposed to be a title of a book of reasonably recent vintage, which is cited as an example to a) give the agent/editor in question a good idea of the type of book that they’ll soon be flogging on your behalf, and b) some idea of the marketability of your work. Claiming that ‘anyone who likes Twilight will love this’ may not work as well as it once did, but at least it gets the point across.

A third use is to show that you the author have kept current with the market yourself, that you know what books are or aren’t like yours, and most important, how they’re not.  This third point doesn’t work so well for me, since my immediate reflex would be to change anything I’d written that was like some other story I’d just read, and make it so it wasn’t like that book at all. Great for those originality points, not so great for corporate metrics.

Plus, if you come along with your query letter and say ‘there’s no book like mine anywhere, ever’, the odds are they won’t believe you. They may even whip off a few names right off the top of their heads, and you look like a jerk. Unless of course there is no book like yours, because, like me, you go out of your way to make your books unlike every book you’ve ever read. I don’t claim to have read every book, though, so some other genius may have done what I did. Good for him (or her, but my default pronoun is male).

My real question, though, after all this backstory, is why does the comp title have to be a book? We do sort of live in a multimedia world now, and sooner or later books will come with embedded music videos, or some such, to set the right tone when you reach that steamy love scene or exciting chase sequence. It also broadens the pool of prospective titles, to be able to say that anyone who loved Animal House will love your book. Third, it seems to have bypassed my filter against writing stories I’ve already read, since I didn’t actually read it.

After many months of not thinking about it, focusing on my fanfiction, wallowing in despair over my poor, utterly original story, I suddenly had an idea for a synopsis pop into my head this morning. I wrote it down, talked about it with the fam, and realized along the way that the perfect comp title was not a book but  a movie, Van Helsing, in point of fact. Which, while not a great movie, is to my mind a lot of fun, and has a number of points (on a high level, where it’s hard to avoid having commonalities) in common with my novel, which may be why I like it so much.

And if there are any books that read like Van Helsing feels, I hope you’ll mention it in the comments, so I can check it out for myself.

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I just wrote my very first synopsis. It’s my fourth novel, but I was never able to write a synopsis before this, so…yay, me!

Of course, this comes after a year of contemplating the damn story, writing and rewriting the damn query summary, or query hook, or mini-synopsis, or whatever the hell it’s called. Really, there should be a more unified vocabulary for this sort of thing. Or maybe there is and I’ve just outed myself as never having attended a writing symposium of any kind.

Anyway, after a good chunk of forever spent thinking and rewriting, I finally just sort of dashed off a query thing pretty quickly, which surprised me a bit. I found an agency that looked interesting, but their submissions page mentioned a synopsis, in addition to the query, and I’d never written one of those. But hey, I just wrote the query hook/pitch/middle/whatever, how hard could this be? Well, as it turned out, quite a bit harder.

First I wrote a pretty detailed precis of the story, 3000 words worth. Which could be what I needed. Or not. Some friends of mine on Facebook recommended a one-page approach, and that was a good deal trickier, even though I was pointed to a very nice little blog post on the subject. But even with a model to follow it still took me two days to get something I don’t hate.

The trickiest part, since it colors everything that follows, is the section called the inciting incident, which is the part of the story that sets the guy off from whatever life he’s got into the adventure to come. What is it, and what action does it incite? I confused myself by thinking that my hero had to be pursuing some epic goal, which he wasn’t. I thought maybe he had to want something grand and glorious, which he didn’t. The most epic adventures are those where the hero is just doing some little thing that he knows ought to be done, and then the consequences pile up.

So in my latest story, the hero isn’t trying to solve a murder, or save the world, even though he ends up doing both. When the police come and bring him to the murder scene, and start asking him questions, he is ashamed. He knows nothing about the man’s life. He feels guilty, and he wants to correct that. What took me days to figure out was that the initial motivation didn’t need to be epic, it just needed to be great enough to make him move. When good characters move, epic events follow.

Of course, something has to be epic, and somebody has to do those epic things, but I don’t think it has to be only or always the MC. (There’s probably no more epic moment in Star Wars than Ben stepping back and letting Vader strike.) I sometimes feel like my stories don’t have a plot so much as 2 or 3 co-plots, with some number of different characters each pursuing their own goals and their individual stories intersecting. My last three stories have been like that, so maybe it’s not an accident after all.

Pretty hard to synopsize, though.


Unbinding the Stone

A Warrior Made

A Warrior Made

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St. Martin’s Moon

St. Martin's Moon

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Ghostkiller

Chasing His Own Tale

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Struck By Inspiration

Struck By Inspiration

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Steampunk Santa

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Bite Deep

Christmas among the vampires!

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Cyber-pirates. Sort of.

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Off the Map

Reality TV...without the Reality!

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