Authorguy's Blog

Heroism by Proxy

Posted on: April 19, 2017


This being the second story structure I created, in this case for my novel St. Martin’s Moon. Again, it wasn’t planned or anything. None of my books ever are, but this one less so than most. I came up with the idea for St. Martin’s Moon while browsing the shelves of a used book store, where I saw a book titled Blood Moon. My immediate thought was, “Wow! A werewolf novel set on a lunar colony, great idea!” It wasn’t such a book, but the idea stayed with me.

The main problem with the story was that I had no idea how to write a mystery of a horror novel. By the time I discovered this, I was two chapters into the book. To keep going, I followed the characters around, and let them make the story, which resulted in the story structure named above. Much of what I’ll say about HbP is based on the one story that I know of. I haven’t really developed the theory of it. I do know that trying to summarize a story like this is next to impossible.

There are at least two situations (states of affairs, whatever you want to call it), one inside the other, and the plots of the story are contained by the inner situation. For SMM, the outer situation was the curse of lycanthropy itself, and the inner was a werewolf attack that took place on a lunar colony.

In a HbP story, the hero catalyses a number of other characters (the proxies) into motion of their own (another name for an HbP story is a catalyst story), motion which is otherwise independent of the hero. No one story line, not even the hero’s, is sufficient to bring about the resolution of the whole story, but all are necessary.

The one character who does not play a direct role in the resolution of the plots is the hero himself (or herself, if the hero is female, but being male my default pronoun is male too). The role of the proxies is to do what the hero would normally do in a more linear story. The role of the hero is to get all the proxies in the same place to do that.

Which doesn’t sound very heroic on the face of it, but remember there are two situations at play here. Not only is the hero at ground zero of a whole bunch of equal and opposite reactions all centered around him (ouch!), his character development throughout the book is what allows him to become the link which unites the inner and outer situations (double ouch!), allowing them both to be resolved, preferably  at the same time, in the same set of actions.

He might even live.

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